Quote

" I'm a hungry woman...
...But don't you dare forget
You gotta feed my head too
"

Hungry Woman Blues II, Gaye Adegbalola

Sunday, 22 June 2014

Radio, Disability, Gender and Beauty: A New History

The gift of a friend's old iPod has helped me to continue my adventure into the amazing world of learning-by-radio. There are so many fantastic programs out there to listen to, from the jazz sessions on Fip Radio, to the great stories of The Moth and, of course, the wealth of material provided by the BBC. Local radio too can provide stimulating topics for discussion as well as a broad range of new music to listen to, both of which can be found, for example, on Southampton's Unity 101 radio station. And the portability the newly acquired iPod (or 'iThing' as I like to think of it when I get confused between all the myriad iProducts available) has, of course, made such joys all the more accessible.

Being somewhat of a 'Maven' as Malcolm Gladwell uses the term in The Tipping Point there will no doubt appear on this blog a page devoted to radio programs that I have discovered and that I think everyone should listen to, their being either particularly edifying or entertaining. However, there is one series in particular that has taught me so much in its ten short episodes (little more than an hour and a half of total listening time) that I think it deserves a complete discussion of its own.

Disability: A New History may not at first seem an obvious choice for a blog whose theme is that of celebrating the successes of under-publicised women throughout history. Although there are many similarities and cross-overs between the marginalisation of groups based on any feature including gender or disability or even ethnicity, sexuality, age or wealth, I do not wish to 'lump together' all such issues; to reduce each case to a single, interchangeable concept would be to vastly underestimate the complexity of discrimination in society today. However, not only has this fantastic radio show introduced me to several inspiring women (particularly Adele Husson and Hippolyte van Lendegem in episode 10), about whom I shall hopefully start reading soon, but it has also provided much food for thought on many topics, not only those such as disability identity but also gender identity, the concepts of 'beauty' and 'body image' and, in particular, the progress of society.

My realisations about the last point in particular have been particularly relevant; and positive. By examining first-hand accounts of people from the 18th century onwards (sometimes earlier) a picture of the progress of society and its attitude is painted - and it's not as straight forward as we may imagine. It is easy to assume (as, indeed, I have done) that the majority of cultures throughout the world, though by no means all of them, tended towards the dominance of a particular social group; that, in the past, that dominance, synonymous with the marginalisation of all other social groups, was almost impossible to go against; and that we have been making slow but constant progress ever since towards a more equal, a more 'politically correct', society. Peter White, presenter of Disability: A New History, shows us that this is not, in fact, the case - and I draw hope from this, as I will discuss in my closing comments. But first, here is some of the eye-opening History that A New History has taught me.

In the middle ages roughly 60-65% of the population were thought to have some form of 'disability'. (I admit to using this as a vague an open-ended blanket term throughout this article.) So although certain religions, in particular Christianity, taught notions such as that a disabled child was the result of the sin of the parents and that the disability could be cured by touching a sacred relic, the majority of people were getting on with their lives and taking little or no notice of such ideas (as discussed in episode 2). 'Freak shows' and entrepreneurs who used their disability to their advantage were originally seen not as demeaning but as an exploration and an appreciation of the variety found in nature through which the performers were adults in full control of their lives, earning a substantial living - though this, inevitably, did not continue to be the case. (See episode 3.) 

It was not until the late 18th and early 19th centuries that a wide-spread attitude of pity and of out-casting anyone not of the 'norm' truly took form. Interestingly, this 'norm' was, for some reason, taken to be that of a healthy, young male and so even by being a women you were, at the end of the day, considered to be 'disabled' and therefore an imperfect human.

Much of the (relatively speaking) open-mindedness and healthy, tolerant approach to society seen in the 18th century, and in particular in the UK, may be connected to the secularism of that period, as discussed in another thought-provoking radio documentary, BBC Radio 3's Free Thinking. As is also discussed in this particular episode, the 19th century saw a great return to religion and superstition at their most intolerant infiltrating every corner of people's lives. Rationality was not immune to this and, unusually, it was the developments in science, which we are so used to associating with sociological as much as technological progress, that drove this change. It was then the current scientific reasoning (published in many peer-reviewed journals) that the appearance of the body outside reflected the state of the body inside, both medically and morally. And, in this new environment, the well-being of a person's 'immortal soul' was given as much consideration as their physical health.

It is from this that our obsession with 'beauty', as now defined so narrowly by society, was also derived. Until then, beauty was obviously appreciated, but society was not so restrictive in what it accepted as 'beautiful', nor were the consequences of being considered 'unbeautiful' so great. The beginnings of the fashion industry are well known to have taken form in this era but it was on listening to this documentary (which addresses the subjects of beauty an deformity in episode 4) that it dawned on me that the importance of showing utter obedience to it begun here too. Given the undisputedly wide-ranging impact this has had on the marginalisation of many groups in society, but particularly on women, this is another example of how the progress discussed earlier does not - and has not - taken a direct route but rather wriggles back and forth. 

And I maintain that this is indeed a hopeful message to draw for everyone who has suffered any form of marginalisation or negative discrimination. It is often easier to think, when bombarded from all sides by arguments often from otherwise logically-minded and forward-thinking people and organisations, that, in terms of equality, this is as good as it gets; that we have crawled from the middle ages into an enlightened society which doesn't deny the capability of, for example, women to be great scientists, non-white-middle class people to lead nations as politicians and people over 30 to pioneer the computing industry - but it doesn't especially expect these things to happen either, would only support them at a push and wouldn't be that bothered if they didn't. It is easy to slip into the mentality that the lack of representation of minority groups is no longer due to centuries of discrimination - because, in the UK at least, such discrimination is now illegal an therefore 'does not exist' - but is rather due to the lack of enthusiasm or natural tendency towards various endeavours of those that fall into such categories. It is so easy to accept society as it stands rather than ruffle feathers and challenge it to change, assuming that all the progress that will ever be made has been made already.

But the lessons I have learnt from Disability: A New History suggest otherwise. Progress towards equality is not direct but, for want of a better word, wiggly. We moved naturally forward several steps in the 18th century but then many steps backwards a hundred years later. So this is not 'it'; we can do better. There are still many steps to take but with the increased accessibility of educational material - on the radio or otherwise - it must surely drive the majority of them forwards rather than backwards.

Tuesday, 6 May 2014

Bringing Science to Life: Athene, Athena, Imposters and a lot of Smarts

Someone says, 'Think of a physicist!' and what comes to mind? What stereotypes come flooding in? Brilliant, yes. Good communicator? Probably not. We're not meant to be a fan of words, us sciencey engineery types (mmm, irony). But it's a good thing that this is not always the case.

Athene Donald, DBE, FRS, Professor of Experimental Physics at the University of Cambridge, is not only a world-renowned physicist, an early adopter of the art of the multidisciplinary (she was a founding chair of the Institute of Physics Biological Physics Group), but is also one of the great scientific communicators. Alongside a fairly stunning academic career she has written for the Guardian and Physics Focus as well as her own extensive and multifaceted blog discussing and ruminating on topics ranging from Neuroscience to Equality. I imagine as a lecturer that she is one of those rare academics who are both proficient at their research and able to teach; each of these skills is wonderfully valuable in their own right but it is unusual for someone to possess them both.

But what I find most inspiring about this incredible penseuse is the refreshing fact that she is as active as she is prolific. Not only is she a Fellow of the Royal Society but she has chaired their Education Committee and is working for an improved scientific education (see for example here and here); not only does she write about public engagement but the list of talks given on her CV is both enormous and diverse including subjects of pure science, outreach and careers, school education and diversity itself; and not only is she a prominent voice for women in science and engineering but she is active in increasing their numbers in her role as the University of Cambridge's Gender Equality Champion and until last year Chair of the Athena Forum and a member of the Equality and Diversity Advisory Network of the Royal Society...the list goes on! And as the first female lecturer in her department and first female professor in physical sciences at the University of Cambridge, it is no wonder she is so active in this field.

So many achievements listed already and we have yet to really get to her actual scientific research. Donald was one of the first to apply condensed matter physics to the 'messy world of food and biology'. As she relates to Prof. Jim Al-Khalili on his inspiring Radio 4 program Life Scientific, when she first postulated combining the two subjects she found it very hard to be taken seriously. Before long, however, she proved it a worthwhile endeavour and contributed to making an entire new field of research 'more respectable for physicists' as well as pushing electron microscopy to new limits. The applications of her work range from food processing and the study of disease to work with the Diamond synchrotron science research facility.


What am I doing here?

And yet, even someone with as many strings to their bow and a list of achievements of value to society longer their arm as Donald, she is a self-confessed sufferer of 'Imposter Syndrome' as described in her blog entry linked above. If you've ever had the feeling that you're not quite good enough to be doing what you are, that you're only there because no-one's yet noticed and it's only a matter of time before they find you out - then you are not alone. Many people in senior and specialised positions, academic or otherwise, admit to experiencing such a phenomenon - and many more, it is most likely, experience it but do not admit it.

It has been suggested that there is a tendency of women towards this attitude of underestimating oneself and one of men towards overestimating, for example in the study described here, and that this tendency is one of the causes for the vast gender gap that exists in senior academic positions. Academia, obsessed, as it often becomes, with metrics, competing for numbers of citations in a world driven by self-promotion, would certainly seem to lean towards such a personality which may be less common in women than in men. However, projects like the Meaning of Success, which celebrates the lives of 26 successful female academics from the University of Cambridge alone, are just one of many such ventures out there to show that it is by no means an insurmountable barrier to women working for a career in science.

The Smart Thing

Creating a society in which such barriers no longer exist is vital to the development of science, technology, engineering and, in one way or another, every single person. More and more studies are showing that gender balance and, of course, statistical representation of all marginalised groups, improves not only the well-being of the individuals but the productivity of the group; more diverse groups are more intelligent groups (see results from work at MIT).

As both Donald and Professor Curt Rice propounded at the annual Campbell lecture at the University of Southampton earlier this year, gender balance is not only the 'right' thing to do (given that 'right' and 'wrong' are highly subjective and can be discussed indefinitely) but it's the smart thing to do, which can be qualified and proven. That's what drove Rice to lead a campaign that increased the number of female full professors at his own University of Tromsø from 4% to nearly 30% in a very impressive program of development. That's right, gender equality being pioneered by (shock! horror!) a man...

However, in order for the embracing of equality and diversity in such a way to become the norm, we must work to conquer the complex and generally unseen problem of implicit or unconscious bias. It affects us all (see how much it affects you here) and mostly without us knowing, as studies such as this employability study from Yale University (also discussed here) shows, but this doesn't make it 'natural' and it is in no way acceptable; the consequences, as we know, are far-reaching and hugely detrimental.

Dame Professor Athene Donald, named after the symbolic personification of wisdom in the society attributed as the birthplace of modern science, not only overcame all these barriers to become a brilliant, pioneering and unstereotypically eloquent physicist; but is now using her many skills and talents to ensure that the barriers are lowered for future generations.

Tuesday, 25 March 2014

Good Beginnings (Just a Note To Say...)

This year I've managed to be involved with two large-scale Outreach events: Stargazing Live, Portsmouth and The Big Bang at the NEC in Birmingham, with Out of This World Learning. At both events (which involved such hi-jinks as making a solar system with people as planets and launching compressed-air paper rockets into the ceiling of the NEC) I started noticing something:

The participants (mostly, but not exclusively, children dragging their parents along) were balanced approximately 50:50 female to male.

What's more, there was no trend in interest, enthusiasm or aptitude between the genders - as, I would expect of course, but it's quite satisfying to have evidence to back oneself up with. This made me rather happy and I thought it was worth sharing!

Here's to the future generations of Valentina Tereshkovas and Helen Sharmans!

 

Saving the Eccentrics

It probably took as long to hunt down a cinema in the West of England that was still showing Saving Mr. Banks in the first few days of 2014 as it did to watch the film itself - but it was definitely worth it. 

Apparently we weren't the only ones who had waited a bit late to attempt to view it on the big screen though and the Plymouth Arts Centre (a really friendly independent cinema and art gallery) was so full I had to sit away from my family - not that they missed me as, I was told afterwards, they could hear me laugh loudly and recognisably when Mrs. P. M. Travers, played by Emma Thompson, entered the Hollywood hotel room filled to the bursting with Disney merchandise and uttered the most derisive, 'Oh dear.'.

My first conscious Emma Thompson experience was watching her on the Jonathon Ross show discussing Stranger than Fiction which was about to be released. I knew who she was, having no doubt watched some of her extensive works previously, but this was the first time she made an impression; an impression which has grown and grown into something bordering on awe.

She is as well known for portraying more 'eccentric' characters - such as the reclusive and difficult author, Karen Eiffel, in Stranger than Fiction; her own creation, Nanny McPhee; Professor Trelawney in the Harry Potter films - as she is for her moving portrayals of many period drama favourites such as Elinor Dashwood in the 1995 production of Sense and Sensibility (for which she also wrote the screenplay). There aren't many actors who can successfully and convincingly pull off such a breadth of characters equally well but Thompson is definitely one of the few that can; she finds that perfect balance between the amusingly peculiar and the credible and relatable.

She is master of comic timing both on and off screen (Charlotte in The Boat that Rocked or any of her interviews, for example, on the Graham Norton Show discussing Saving Mr. Banks - from 4m20s in here), of pathos (Maggie in Peter's Friends, a lesser known but wonderful film also starring Imelda Stuanton, Alphonsia Emmanuel, Kenneth Brannagh, Stephen Fry, Hugh Laurie and Tony Slattery) and of incredible characterisations (The Queen in the Playouse Presents TV drama, Walking the Dogs).

I had already formed all these opinions of Thompson when I convinced my family to come to the cinema with me in those first few January days. Yet somehow, I came away from Saving Mr. Banks even more in awe of her. I knew nothing of Mrs. P. M. Travers, creator of Mary Poppins, and the story behind the transforming of a very successful book into one of everyone's favourite Disney Films, but have been inspired to find out more and am very much looking forward to Mary Poppins, She Wrote by Valerie Lawson becoming available again in our local library. I laughed (loudly, you may recall), I cried (don't tell anyone), I took Tom Hanks' sugar-coated portrayal of Walt Disney with a pinch of salt and I came away with the following conclusion: She's the best. Emma Thompson is the best actor out there, the best at plying her trade - and no other actors (male or female, for why would I judge them separately?) even come close. (And I'm not the only one! See here. )

What more can I say than that, except, maybe, to leave you with the phrase she utters as Karen Eiffel in Stranger Than Fiction:

"Well, Penny, like anything worth writing, it came inexplicably and without method."



Images: Upper right - Emma Thompson and Queen Latifa in Stranger Than Fiction; Middle Left - Emma Thomspon after hand and feet casting for Hollywood Walk of Fame; Bottom - cast of Peter's Friends

Tuesday, 25 February 2014

Recent Musical Discoveries

From listening to Terry Hall's BBC Radio 6 Show - I plan to investigate and so thought I might share the discovery!

Veruca Salt - Named after the Charlie and the Chocolate Factory character, this can't be a bad thing! Featuring Nina Gordon and Louise Post on guitars and vocals. 

The Roches - Loving the song 'Nurds'!

Bobby Gentry - Seriously impressive vocals as well as songwriting skillz!

Wednesday, 22 January 2014

Blog Update - Links Pages

Introducing three new pages to the blog for the easy sharing of interesting links:

News Links - some interesting online news articles

Non-News Links and Books - some interesting non-news articles, books, organisations, projects, talks, videos and anything else I may find

Early Day Motions and Petitions - formal motions submitted to the House of Parliament for debate, allowing MPs to draw attention to an event or cause, and online petitions

Recommendations are welcome (and, indeed, where some of the links already come from) and all links will be twittered eventually too (as I grapple with modern larks such as social media).

Friday, 10 January 2014

A New Year is Upon Us - Oh Well!

#GuitarHeroes

A little note to welcome in two thousand and fourteen (or twenty-fourteen if you will)...

Many people like to 'point out' to me that although there are many talented classical, folk or acoustic female guitarists there aren't that many that can rock - I mean, really ROCK. To these people I shake my head, sigh a sigh of pity (think of all the great music they're missing out on listening to!) and say..."Oh Well"

Watch Danielle Haim ROCKING out the classic Fleetwood Mac riff on her SG at Jools Hollands' 2014 Hootenanny here.

Happy 2014!